Asemic is a magazine of asemic writing, or writing without semantic content. It’s full of fun peripheral glyphery, little black-and-white shadows of nonsense coming out of the fog. The individual pieces are hit or miss, but the variety is wonderful.
I never knew there was a word for it, but asemic writing is something I’ve loved for years. The fact is, I love the form of language more than its content. It’s why I like foreign accents, and listening to languages I don’t understand. It’s why I spent so much time in college listening to Cocteau Twins. It’s one of the main reasons I love graffiti. My first Burning Man project was an exercise in asemic writing and speech.
I started speaking in tongues on the subway in New York in high school. Acting like a crazy person is an effective strategy for dealing with certain tricky situations. And it was fun to watch people try to guess where I was from. But over time, it became something I would do for my own enjoyment, even when nobody else was around. It was just a joy to be able to speak without having to mean anything. All the beauty of form without the burden of content. It was comforting, like a dog’s chin resting warmly on your knee, not saying anything in particular, just existing.
an almost completely asemic piece by San Francisco writer APEX.
I’ve also noticed a trend towards asemic writing among some of my favorite graffiti writers. While most start their artistic lives with the written word, there’s always an abstract component, and there comes a point in certain writers’ development where the abstraction takes over completely. Maybe they feel the same attraction to meaninglessness that I do.
Asemic calligraphy by Emma Viguier.
Book from the Sky (asemic Chinese by Xu Bing).
various works by Brion Gysin.
Diploma by Saul Steinberg
PCOET by David Melnick
Tender Buttons by Gertrude Stein
(originally via MetaFilter)
So, about a year ago, a few things happened. We bought a house. We moved to the suburbs. I started working on a new movie. Our kid turned two. And this blog ceased to exist. I’ll spare you the details, mainly because I don’t understand them, but it had something to do with a bad database, or gnomes, or sunspots. Maybe all of the above.
They say that being a parent really changes your priorities. What that means in practice is, you have an incredible excuse to be lazy about anything not directly related to your kids. Awesome! So the blog remained dead.
Then, last week, things got a little worse: the machine with the dead database crashed altogether, taking all of my web sites with it. Basically, the Internet forgot I existed. This was a little too much to take. So, I dug up my poorly maintained backups, found a new web host, and set to work making things right.
A lot of interesting things have happened in the past year, things I would have blogged about if I could have. So you might start seeing backdated posts popping up here and there. Be nice and pretend I really posted them on the “published” date, would you?
Well that was fun! A bunch of us won an award from the Visual Effects Society for our work on the character of Toothless, from How to Train Your Dragon. Go Toothless!
And here’s an uncut video of the award ceremony. Our part starts around 11 minutes in (and at about 14:40, you can see Raquel in the audience looking very chic!)
Andy James works with Chautauqua students, including Shayla Malm, left, during a recent music class. Photo by Elizabeth Shepherd
My friend Andy James teaches elementary school on Vashon Island, a rural community a short ferry ride from Seattle. He’s got a real passion for teaching, and my conversations with him about it always leave me inspired. His latest project is no exception: faced with a new role as music teacher, he decided the thing to do would be to get the kids to compose, perform and record an entire album. And they did it. Not just any album, mind you: a concept album made entirely of original songs written by the kids, based on a South American folk story called “The Whistling Monster”. Now they’re selling the CD to raise funds for the school (and in the process help save Andy’s job, which like many teachers’ is on the chopping block). I haven’t heard the music yet, but if I know Andy it’ll be worth a listen!
The whole operation is pretty low-tech, so as of now you can’t buy the CD online. Update: Chautauqua Elementary School has made the CD available online! You can order it here in MP3 form or as a physical disk. Take a listen, and leave a comment below if you’ve got anything to say!
Just got back from the wrap party for “How to Train Your Dragon” in Hollywood. At one point, a bunch of us animators were hanging out on the dance floor, and there was this line of people all taking photos of us at once. These two photos, by Jen Stern and Lilian Ku, must have been shot within a fraction of a second of each other. So I stitched them together into an animated gif. Check us out in 3D!
Last weekend I got to see a live interview with one of my all-time heroes, Hayao Miyazaki. He said, through a translator, all kinds of interesting things. When asked about computer animation, he had this to say: “One time we hired an expert to animate some scenes on the computer, but in the end we found that we could draw the scenes faster with a pencil.”
Now maybe this was his choice of words, and maybe it was the translator’s, but I found this response pretty revealing. It reflects a thought process about what animation is, in which drawing is central to everything. If what you’re trying to do is draw a scene, a pencil really is faster than a computer. But is that necessarily true? Is animation, at its heart, about drawing?
Continue reading On the Value of Drawing for CG Animators
I’m in Brazil for a couple of weeks, Visiting family. My favorite thing about Brazil is the abundant fresh fruit, stuff you never hear about in the States. Shown here: figs, passionfruit juice, and atemóia, which is a hybrid between the cherimoya and the pinha. The flavor is sweet and wonderful and hard to describe, somewhere between a pear and a pineapple, and the texture is slightly chewy and fleshy like a lychee nut. I could eat these all day.
Yes, the rumors are true, I’m a dad now! Stella Zuli Coelho Curtis was born in the wee hours of the morning on October 24th, 2008. And she is splendid and colorful indeed. See for yourself!