On the Value of Drawing for CG Animators

Last weekend I got to see a live interview with one of my all-time heroes, Hayao Miyazaki. He said, through a translator, all kinds of interesting things. When asked about computer animation, he had this to say: “One time we hired an expert to animate some scenes on the computer, but in the end we found that we could draw the scenes faster with a pencil.”

Now maybe this was his choice of words, and maybe it was the translator’s, but I found this response pretty revealing. It reflects a thought process about what animation is, in which drawing is central to everything. If what you’re trying to do is draw a scene, a pencil really is faster than a computer. But is that necessarily true? Is animation, at its heart, about drawing?
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